© 2020 by James Clark
Saraband (2003), carries much of the charges of a long filmic disputation; and it carries much of the charges of the very unique.
To enter this gigantic, swift and subtle construct, I’ve chosen the film’s moment which avoids direct presentation, while being at the core of its revelatory bloodletting, figurative and literal. That being the discipline of art.
The watchword of two of the major players here, reaching back thirty years, to the film, Scenes from a Marriage (1973), was, “We speak the same language,” that is to say, the language of advantage, which is to say, the language of pedantry. Marianne and Johan elect to follow two similar skills, she being a lawyer, while he being a medical researcher. They and their ilk live and die for information. They are typical in having a long family history of being committed to…
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